<table><tr><th>From:</th><th>jeffrey E. &lt;jeevacation@gmail.com&gt;</th></tr><tr><td>Sent:</td><td>Tuesday, February 2, 2016 1:59 PM</td></tr><tr><td>To:</td><td>Barry J. Cohen</td></tr><tr><td>Subject:</td><td>Re: Chase scene formula</td></tr></table>

GreTi was chef more yesterday and heard viola

On Tuesday, Febr=ary 2, 2016, Barry J. Cohen wrote:

There are several different formulas for chase scene music. Below is = common formula. Attached is one I wrote. And at 7:47 in the l=nk below is one that Hans Zimmer wrote for a video game, Modern Warfare 2.=u>

<https://www.youtube.com/watch?v=bG3fL1jF-vY>

	* *=A0 Set metronome at 130-150

	• *=A0 Start with percussion ostinato using 16th<=sup> notes.

* *=A0 Use high, low and medium percussion pitches, bu= avoid too many lows, as they can conflict with sound effects in the film,=like explosions

	• *=A0 4/4 rhythm, but occasionally throw in odd meter=measures

	• *=A0 Use lots of offbeat accents

	• *=A0 Mimic rhythm with a string ostinato, starting w=th violas playing 16th notes

	• *=A0 Use minor keys or ambiguous keys which avoid th=rds

	• *=A0 Layer in slower moving themes in horns and stri=gs

	• *=A0 Use brass in melody or chords. Rising fifths wo=k well too.

	• *=A0 Use dissonant harmonies, but nothing complicate=. E.g., use tritones

	• *=ACI Use note clusters (close harmonies)</=>

	* *=A0 No woodwinds

	* *=A0 Insert a break where everything but drums drop =ut. The drums never stop.

Barry Cohen

Apollo Management<=>>

9 West 57th Street, 37th Floor</=pan>

New York, NY 10019=u>

W:

C:

* *=A0

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