<table><tr><th>From:</th><th>Misha Gromov claihes.fr).</th></tr><tr><td>Sent:</td><td>Sunday, May 15, 2016 8:30 AM</td></tr><tr><td>To:</td><td>jeffrey E.</td></tr><tr><td>Subject:</td><td>Re:</td></tr></table>

I guess the meaning of music resides in the network of similarities betw=en musical pieces that is rather simple compared to that for languges

About 3. " in your meaning re shape same issue. when i= round , round. coarse grain? etc. it appears to m= that if something has meaning , that something is bounded. "

In my schemes, there is no concept of meaning of an individual something=-- only of a kind of dynamic network "classifying<=p).

"virtual meanings"

On Fri, 13 May 2016 22:36:14 +0200, jeffrey E. wrote:

1. always , if i invest in somethi=g you bring to me. the deal is the same for all my friends. &nb=p; I put up all the money, take all the financial risk ,=and if there is a profit you and i split it 50/50.

2. I, wrestling with , meaning in a musical phrase. /&nbs=; notes with out a relationship to each other . &nb=p; is composition the arrow on the note category. . = can we tell if the string is melodic. does the information in=the string somehow give us a window.? repetition. relati=n. temporal. , absolute number bounds. ? &nbs=; max notes per sec?

3. in your meaning re shape same issue. when i= round , round. coarse grain? etc. it appears to m= that if something has meaning , that something is bounded. &nb=p; .

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