<table><tr><th>From:</th><th>Jeffrey Epstein &lt;jeevacation@gmail.com&gt;</th></tr><tr><td>Sent:</td><td>Monday, March 24, 2014 7:07 AM</td></tr><tr><td>To:</td><td>soon yi previn</td></tr></table>

community-theater When I was production 8 years of old, "Hello, I watched Dolly!" my He trial-lawyer entered wearing father play an enormous Horace Vandergelder marching-band in the ba=s Livingston, drum (the N.J., character is in a parade), and he roared to his sobbing niece, "Dammit! How am I supposed to play 'Yonkers My Yonkers' w=th all that bellowing in my ears!" It was the most exciting thing I had ever seen=

I was a melancholic child. Worried, anxious. I never felt as if I belonged anywhere, as if I were a foreign exchange student living among the other kids, who seemed predestined to love sports. Add to that alienation the fact that my parents were going through a divorce, and I was truly treading water. But in that junior high school auditorium, I felt like I'd discovered a secret I didn't even know was being=20 whispered. There was a place where I might belong: It was the Theater, and I was sold. Theater, and I was sold.

A few years later= at St=gedoor Manor <http://=ww.nytimes.com/1987/07/04/style/where-the-campers-strut-and-fret-a-little.=tml?action=click&module=Search&region=searchResults&> in Loch Sheldrake, N.Y., I joined an intensive theater bo=t camp for kids just like me. The second I stepped off the bus, I felt like baby Simba when he's lifted into the air in "The Lion King" and all =he animals sing. Everyone was affectionate; everyone hugged; no was called "gay&=dquo; for doing anything that wasn't masculine. (My insecurity about this h=d shamefully kept me from doing theater in school.) It was utopia, and I never wanted to leave.

## Photo

<http://static01.nyt.com/images/2014/03/23/arts/23ZA=H2/23ZACH2-articleLarge.jpg>
From left, Helene Yorke, Zach Braff and Le=ny Wolpe in the musical “Bullets Over Broadway.” Credit Sara Krulwich/The New York Times

It was there I met Michael Larsen, the musical director of the camp. He told me that I wasn't just a camper having fun, but that I also had=20 talent. And he was tough — sometimes he'd scream at me — =ut I knew it was because he thought I had a shot. (Michael was the first of many gay men instrumental in guiding me to where I am now, which is why I try to speak on behalf of gay rights whenever I can. But I suppose that's a=20 different essay.)

At 18, I was cast as Woody Allen and Diane Keaton's son in =he film "Manhattan Murder Mystery," <http://www.youtube.com/watch=v=MZA)224bAS8> my first movi= role. And now, after studying film and theater at Northwestern University= playing J. D. on "Scrubs" <http://www.nytimes.com/2006/04/09/arts/television/09rhod.html?sc==5&sq=scrubs+nbc&st=nyt&action=click&modu Ie=Sear=h&region=searchResults&> on TV for nine years and directing two films, I'm working with Woody=20 Allen again. I'm typing these words in my dressing room at the St. Ja=es Theater, where on April 10 I'll open in "Bullets Over Broadway=" a musical adaptation of his hit film <http://www.=outube.com/watch?v=6BDr_955ZwU> . I play David Shayne, a struggling writer in 1929 New York who agrees to cast a mobster's ditsy girlfriend in one of his plays in order to ge= it produced.

The St. James is where Yul Brynner opened in "The King and I" in 1=51; where hits like "Oklahomal," "The Pajama Game," &Id=uo;Gypsy," "The Who's Tommy," and "The Producers" played, and where, in 1964, b= the most surreal of coincidences, Carol Channing first descended an endless staircase in "Hello, Dolly!" I sit in Dressing Room 201, where =any of the great luminaries of the Broadway stage — Patti LuPone, Nathan Lan=, Mandy Patinkin — have paced waiting for the intercom to chime, &Idquo=Places for Act I, please." This is the sanctuary that a little invisible boy=in New Jersey dreamed he'd one day find.

## Photo (cont.)

Photo

<http://static01.nyt.com/images/2014/03/20/theater/2=zach3/20zach3-master180.jpg>
Zach Braff in a 1988 production of "G=dspeII" at Stagedoor Manor. Credit Stagedoor Manor

It's my first time on Broadway, but not my first time onstage. My first job straight out of college was in George C. Wolfe's production of &I=quo;Macbeth"

<http://www.nytimes.com/mem/theater/tre=iew.html?res=9A00EFD1539F935A25750C0A96E958260&action=click&m=dule=Search&region=searchResults%230&version=&url=http=3A%2F%2Fquery.nytimes.com%2Fsearch%2Fsitesearch%2F%3Faction%3Dclick%26regi=n%3DMasthead%26pgtype%3DHomepage%26module%3DSearchSubmit%26contentColle=cti=n%3DHomepage%26t%3Dqry685%23%2Falec%2520baldwin%2520macbeth&_r=0> at the Public Theater, starring Alec Baldwin, Liev Schreiber, Angela Bassett and Michael C. Hall, and I've since appeared Off Broadway in=20 shows at the Delacorte and Second Stage Theater.

Continue r=ading the main story <http://www.nytimes.com/2014/03/23/theater/zach-braff-on-the-=ath-from-summer-camp-to-broadway.html?_r=0#story-continues-3>

<http://www.nytimes.com/adx/bin/adx_click.html?type=goto&=pzn&page=www.nytimes.com/yr/mo/day/theater&pos=Box1&sn2==7a54cd/b03469a6&sn1=3540505d/8d610270&camp=nyt2014_300x250_mo=ule_SuzyMenkesonLWren_hp_ros&ad=ST-D-I-NYT-MOD-MOD-M349-ROS-0314&=goto=http://runway.blogs.nytimes.com/2014/03/17/lwren-scott-fashion-desi=ner-and-mick-jaggers-girlfriend-found-dead/%3FWT.mc_id=ST-D-I-NYT-MOD-MO=-M349-ROS-0314-PH%26WT.mc_ev=click%26WT.mc_c=242209>

## Suzy Menkes on the fashion designer L&=9;Wren Scott

<http://www-nytimes.com/adx/bin/adx_click.html?type=goto&opzn&page=www.nyt=mes.com/yr/mo/day/theater&po
s=Box1&sn2=17a54cd/b03469a6&s=1=3540505d/8d610270&camp=nyt2014_300x250_module_SuzyMenkesonLWren
_=p_ros&ad=ST-D-I-NYT-MOD-MOD-M349-ROS-0314&goto=http://runway.b=ogs.nytimes.com/2014/03/17/lwren-
scott-fashion-designer-and-mick-jaggers-g=rlfriend-found-dead/%3FWT.mc_id=ST-D-I-NYT-MOD-MOD-M349-ROS-0314-
HDR%26W=.mc_ev=click%26WT.mc_c=242209>

* A Times selection of noteworthy cultural events=in New York City and beyond
<http://www.nytimes.com/adx/bin/adx_click.html?type=3Dgoto&opzn&page=www.nytimes.com/yr/mo/day/theater&pos=Box=&sn2=17a54cdd/b03469a6&sn1=ddf33685/48cf0e9&camp=nyt2014=300x250_module_SuzyMenkesonLWren_hp_ros&ad=ST-D-I-NYT-MOD-MOD-M349-R=S-0314&goto=http://www.nytimes.com/events/index.html%3FWT.mc_id=ST=D-I-NYT-MOD-MOD-M349-ROS-0314-L1%26WT.mc_ev=click%26WT.mc_c=242209>

* Net-a-Porter means "ready to party"
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Continue reading the main story<=> <http://w=w.nytimes.com/2014/03/23/theater/zach-braff-on-the-path-from-summer-camp-t=-broadway.html?_r=0#story-continues-3>

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The first day of rehearsal for "Macbeth," Alec Baldwin sat down ne=t to me. "Who do you play?" he asked. My voice quivered: "Ummm, l=play Fleance and Young Seward." He paused. "Oh — so I kill you twice.&=dquo; Each night, as he drove his broadsword through my heart, I thought, "I've mad= it!"

## Suzy Menkes on the fashion designer L&=9;Wren Scott (cont.)

In the sixth season of "Scrubs," the show's creator, Bill L=wrence (also a major fan of musical comedy), decided to do a musical episode. It was the first time I had done musical comedy since I was at camp, and it instantly reminded me how much I loved it. My favorite song from the episode was called "Guy Love."

<http://w=w.youtube.com/watch?v=IL4L4Uv5rf0> In it, Donald Faison (my best friend in real life and on the show) and I sang about how our homoerotic love for each other was nothing to apologize for. ("It's guy love, that's all it is.")=The experience replanted the seed, and I made a promise to myself: One day I would sing on Broadway.

Photo

<http://static01.nyt.com/images/2014/03/23/arts/23JP=ACH/23JPZACH-master180.jpg>
Zach Braff, left, and Donald Faison on &ld=uo;Scrubs,” which had a musical episode in its sixth season. Credit ABC

I'd be curled in the fetal position spooning a pillow right now, though, if it weren't for my current director, Susan Stroman. Directing and choreographing a musical is the most epic undertaking for one human being, yet Susan (or Stro, as the cool Broadway kids call her) handles it with aplomb.

And she's not just choreographing the actors and dancers, but also the=20 magnificent set designed by Santo Loquasto, which moves in ways I didn&rsqu=;t know scenery could move. It's a dance of men and women and machines =nd winches and elevators and lights. The wings of the St. James are very narrow, so when a giant piece of scenery disappears from the audience&rsquo=s view, the most elaborate game of Tetris begins, as the outstanding stage crew turns and lifts and twists; not an inch is wasted. The second the orchestra strikes the first note of the overture, no one stops moving until the final curtain hits the deck.

During "Manhattan Murder Mystery," I had every word of my lines memor=zed down to the punctuation mark. I'll never forget: The first thing Woody sa=d to me was, "We're probably not going to say exactly what'= on the page so ... you know ... just try to keep up. ..." While we've been =n previews on "Bullets," he and Stro have been giving us notes ea=h day on the previous night's performance. One night, I dropped a great joke =y accident. He said to me with a smile, "You'll probably get a bi=ger laugh if you actually say it onstage."

All the people on Broadway are the best at what they do. All dancers want to work with Stro, so she gets the best dancers in New York City. Is there an oboist in the orchestra? You can guarantee he's the best obo=st on the island of Manhattan. Need to recreate the look of 1929? The six-time Tony winner William Ivey Long is here to design the costumes. And the voices! I am in awe. There has yet to be a time when I don't =et goose bumps when Betsy Wolfe, who plays my girlfriend, belts out the final notes of our duet, "I Found a New Baby."

Zach Braff is an actor, writer a=d director. His new film, "Wish I Was Here," opens July 18.

A version of this article appears in =rint on March 23, 2014, on page AR6 of the with the headline: An Invisible Boy Keeps His Prom=se. Order Reprints<=a>I

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## Suzy Menkes on the fashion designer L&=9;Wren Scott (cont.)

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