<table><tr><th>From:</th><th>Barnaby Marsh</th></tr><tr><td>Sent:</td><td>Sunday, July 10, 2016 5:26 PM</td></tr><tr><td>To:</td><td>jeffrey E.; Nowak, Martin; Joscha Bach; Joi Ito</td></tr><tr><td>Subject:</td><td>Re:</td></tr></table>

I want to try!!! I was thinking Mozart symphonies nos 38, 40, 41, though th= first movements of 38 and 40 might not work in tandem- or do they? I want=to try!!! On ferry from Nantucket right now in NYC tomorrow...

On Sun, Jul 10, 2016 at 8:45 AM jeffrey=E. <jeevacation@gmail.com <mailto:jeevacation@gmail.com> &=t; wrote:

today I conducted an experiment encouraged by Noam's wholly ju=tified aggressive and detailed directives to joscha. . =C24> joshcha focused on layers being developed in the =rain . the timing for the development of each layer being diff=rent per species .

I postulate that music might be = frosted window into that structure. symphonies be=in with their first " layer" a theme. in fact , =A0 there might be more than one theme in the first layer , , the sec=nd part of symphonic form is the complex development stage. =A0 where those themes are inverted, deconstructed , reco=structed etc ,and the development stage takes the most time .=C2 in the conclusion of the symphonic form the =ecapitulation of all that has come before it forms a " ph=enoma of the piece " a whole ,made up of its smal=er concepts . As opposed to listening to music to =ecord which neuron is firing, as most musciologists attempt .=C2 I propose that the music may be the audible result of those ne=rons firing, made possible by a select few who would attempt to =A0 notate those neuronal firings. Beethoven for ex=mple.

The experiment . I mashed all of the= four symphonies together , playing recordings of=C2* the 3rd 5th 6th 7th all overlayed on =ach other, playing at the same time. - the way a brain might d=velop. I expected an ordered noise but to the surprising contr=ry , IT WAS AMAZING. . you can =ear new "concepts " forming,

<=>

itwonder whether in the mind of a blind child ,=the " music" would be created even without the visua= referencial. but created none the less. Q=A0 later when the visual can be tied to concepts , the anatomy may b= hijacked to produce sounds . that somehow relate to the concepts.=C24) .

I tried to mix music from different cultu=es- it didn't work. African does not work with weste=n europe,- chinese works with neither of t=e other two. but within the same cultural music ( the br=in of the local species ) the mash ups are beautiful.O=A0

I would note that=computers engage in "parallel processing" only in order to=take a hard problem and break it into its component parts , working =n each component separately, here each problem Interac=s and the their resolutions interact in remarkable ways.

<=iv>--

=C2�>>

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